Josh Berman



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Josh Berman is a cornetist, improviser, composer, and music presenter. An essential contributor to Chicago’s active free jazz and improvised music scene, his work encompasses performing in a variety of highly collaborative formats, while also creating performance opportunities for musicians, having produced hundreds of shows in Chicago over the past 25 years. He has participated in over 40 recordings, with his own projects, Old Idea, Josh Berman and his Gang, and Josh Berman Trio receiving critical acclaim in the New York Times, Chicago Tribune, DownBeat and many other publications. His recordings can be found on Chicago’s legendary Delmark Records, Austin’s Astral Spirits Records and most recently on Corbett Vs Dempsey.


Keefe Jackson's Fast Citizens
Ready Everyday


Fred Lonberg-Holm – cello
Aram Shelton – alto saxophone
Anton Hatwich – bass
Frank Rosaly – drums
Josh Berman – cornet


Chicago continues to be the focal point for an expansive improvisational scene and a magnet for young players looking for like-minded fellows to explore new terrain. Here you have a lineup of musicians, all but one under 40, originally from a half-dozen different states and active in an ever-shifting and growing number of ensembles. Saxophonist Jackson, who makes his debut as leader and wrote five of the disc’s seven compositions, is involved in a number of bands, including the Lucky 7s, the 774th Street Quartet, the Festival Quartet, Keefe Jackson’s Project Project and the Chicago Luzern Exchange (with Citizen cornetist Josh Berman and drummer Frank Rosaly, who together with tuba player Mark Unternährer recorded Several Lights in 2005). That the scene is as fluid conceptually as well is evidenced by the freewheeling, insistently swinging and wide-ranging sounds to be found here. The tight group (alto saxophonist Aram Shelton, cellist Fred Lonberg-Holm and bassist Anton Hatwich round out the lineup) is a meaty postbop ensemble on the opening “Ready Everyday,” but a delicate little outfit in their anti-“Band Theme”; they soar in like a Hendrix-ian dive bomber in the opening of “Signs” and then tap dance with jittery insistence through “Saying Yes,” effortlessly segueing from the delicately to the ominously dark (“Blackout,” “Pax Urbanum”). Ready Everyday documents citizens of the Windy City’s combustive jazz scene continuing to stretch, seek out the new and defy the orthodoxies, even their own.


-Chris Heim, JazzTimes, 2007